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Japanese Godzilla Sequel Sets Record With $31.6 Million Domestic Opening

8 November 2026 · Source balance: Centre

Godzilla Minus Zero, a Japanese-language kaiju film from director Takashi Yamazaki, opened to $31.6 million in North American theaters this weekend, setting a new record for a live-action foreign-language film. The sequel to the Oscar-winning Godzilla Minus One nearly tripled its predecessor's opening of $11.4 million from 2023. Produced by Toho Studios with a budget around $15 million, the film received strong critical and audience scores, earning 90% on Rotten Tomatoes from critics and 96% from verified audiences, plus an A grade on CinemaScore. Globally, the film earned $63 million across all markets, with $17 million coming from its Japan debut. The film's success demonstrates that subtitled, non-English films can achieve major box office success in North America, surpassing previous records held by Chinese martial arts film Hero from 2002 and challenging major Hollywood releases.

Key facts

  • Godzilla Minus Zero earned $31.6 million domestically, the highest opening ever for a live-action foreign-language film in North America
  • The film nearly tripled the $11.4 million opening of Godzilla Minus One, released in December 2023
  • Global opening weekend totaled $63 million, with $17 million from Japan and $31.6 million from North America
  • The film holds 90% critics score and 96% audience score on Rotten Tomatoes with an A CinemaScore
  • Production budget reported at approximately $15 million, with Takashi Yamazaki directing and handling visual effects
  • This is the first Japanese production filmed for IMAX, generating $21.3 million from premium format screens globally
  • Predecessor Godzilla Minus One won the Academy Award for Best Visual Effects in 2024 and grossed $116 million worldwide

Limits of this briefing

This story is primarily business and entertainment news; no partisan political outlets were found offering ideological framing of this box office achievement. Analysis focuses on industry trends and cultural significance rather than political positions.

Sources

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